Part 3 Book 2 Chapter 3 Luc-Esprit

At the age of sixteen, one evening at the opera, he had had the honor to be stared at through opera-glasses by two beauties at the same time--ripe and celebrated beauties then, and sung by Voltaire, the Camargo and the Salle. Caught between two fires, he had beaten a heroic retreat towards a little dancer, a young girl named Nahenry, who was sixteen like himself, obscure as a cat, and with whom he was in love. He abounded in memories. He was accustomed to exclaim: "How pretty she was--that Guimard-Guimardini-Guimardinette, the last time I saw her at Longchamps, her hair curled in sustained sentiments, with her come-and-see of turquoises, her gown of the color of persons newly arrived, and her little agitation muff!" He had worn in his young manhood a waistcoat of Nain-Londrin, which he was fond of talking about effusively. "I was dressed like a Turk of the Levant Levantin," said he. Madame de Boufflers, having seen him by chance when he was twenty, had described him as "a charming fool." He was horrified by all the names which he saw in politics and in power, regarding them as vulgar and bourgeois. He read the journals, the newspapers, the gazettes as he said, stifling outbursts of laughter the while. "Oh!" he said, "what people these are! Corbiere! Humann! Casimir Perier! There's a minister for you! I can imagine this in a journal: `M. Gillenorman, minister!' that would be a farce. Well! They are so stupid that it would pass"; he merrily called everything by its name, whether decent or indecent, and did not restrain himself in the least before ladies. He uttered coarse speeches, obscenities, and filth with a certain tranquillity and lack of astonishment which was elegant. It was in keeping with the unceremoniousness of his century. It is to be noted that the age of periphrase in verse was the age of crudities in prose. His god-father had predicted that he would turn out a man of genius, and had bestowed on him these two significant names: Luc-Esprit.

十六岁上，一天夜里，在歌剧院，他曾有过荣幸同时受到两个名噪一时成为伏尔泰吟咏对象的半老徐娘棗卡玛尔戈①和莎莱棗的望远镜的注视。处在双方火力的夹攻之下，他英勇地退下阵来，投向一个二八年华和他一样的象猫儿一样不为人重视、但早已使他思惹情牵、名叫娜安丽的跳舞小姑娘那里去了。他有回忆不尽的往事。他常兴奋地说：“她多漂亮呵，那吉玛尔②－吉玛尔蒂尼－吉玛尔蒂乃特，上一回我在隆桑看见她，一往情深式的鬈发，蓝宝石的“快来瞧”③，新官人色的裙袍，情急了式的皮手笼！”他在年轻时穿过一件伦敦矮子呢④褂子，他每一想起就津津乐道。“那时候，我打扮得象个东方日出处的土耳其人。”他常那样说。在他二十岁时，蒲弗莱夫人偶然遇见了他，称他为“疯美郎”。他见了那些从事政治活动和当权的人的名字，都一律加以丑化，觉得那些人出身微贱，是资产阶级。他每次读报纸（按照他的说法是读新闻纸，读小册子⑤），总忍不住要放声狂笑。“哈！”他常说，“这些人算什么！柯尔比埃尔！于芒！卡西米·贝利埃！这些东西，你也称他们为部长。我心里想，要是报纸上印着‘吉诺曼先生，部长！’那岂不是开玩笑？可是！人们太蠢了，他们也会觉得那也行！”任何东西的名称，不问中听不中听，他都漫不经心地叫出来，当着妇女的面也毫无顾忌。他谈着各种粗鄙、猥亵、淫秽的事物，态度却莫名其妙地镇静文雅，毫不感到别扭。这是他那个世纪的狂态。值得注意的是，韵文晦涩的时代也就是散文粗劣的时代。他的教父预言过，说他将成为一个才华横溢的人，并且替他取了这样一个有意义的名字：明慧。

①卡玛尔戈（Camargo，1710-1770），巴黎歌剧院有名的芭蕾舞演员，比利时人。

②吉玛尔（Guimard，1743-1816），有名的芭蕾舞女演员。

③“快来瞧”，新奇的首饰或其他东西的统称。

④一种薄呢，法国南部对伦敦呢的仿制品，销往东方各国。

⑤读小册子的另一意义是干望着别人吃东西，自己没有份。

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